What we call “amateur exposures” are exposures that we’re not really qualified or experienced to properly handle. If you have a professional, certified, licensed photographer capturing your photos for you, then you are the amateur.
The most amateur exposure is a person who is just taking snapchat pictures of random objects and people they happen to see in their daily lives. The rest of these amateur exposures are just poor, low-level, poorly-trained, low-light, or otherwise amateur images.
While I’ve done a bit of amateur exposure myself, I will say that it is incredibly difficult to train yourself to take good, professional photographs. The more you try to get better at it, the more you do not get better. So much of photography is about learning how to get a good head shot, and you are learning to get a well-trained, professional head shot to take photos of yourself.
That said, you can get so good that you can take a good, professional head shot of yourself without trying. It may not be a conscious action, but it is an automatic one. I have taken some really nice amateur exposures of myself, but those head shots are not nearly as good as they seem. I have never been able to get the head shots I want from my photos without messing up the rest of my photos.
Getting your head shot is the easy part, but in order to get the shots you want, you have to know what kind of photos to make. Do you want to capture the exact moment, or do you want to capture the image that you think looks the best without being distracted from the rest of the scene? You have to be very specific in your headshot.
I like to think of head shots as having two parts: the head and the face. The head shot is the part of the photo with the subject in focus (and so the focal point in my head). The face is the part that is not in focus (and so the background in my headshot). The head shot is a lot like the head shot in a photojournalism class in that you have a lot of control over the subject in the photo.
You can also use a simple headshot to set up several different angles to make a really dramatic photo. For instance, you could set up a headshot by standing directly in the middle of the sun so the sky is in focus. You can try doing this with this photo of a person of interest, and then using this same photo to make a photo of the person of interest looking down at the camera. You can also use a headshot to tell a story.
Like most of the other photos in the trailer, this shot of a young woman with an earpiece in her ear is a very interesting one. It’s interesting because it sets up such a dramatic scene in which a young woman is being followed around by an extremely creepy looking guy with a gun.
The same thing goes for a photo of a person of interest, except here the person of interest is walking in front of a car, which then catches the attention of another person of interest. This is the same technique used in the trailer for a photo of a woman in a car.
The same techniques are used in amateur exposures used in photojournalism. These are photographs made by people who want to capture scenes they feel will be interesting to the rest of the world. They are often times made from a single image of the subject to be included in a gallery or the like.